Mission Statement:

Dramatic Adventure Theatre provides the opportunity for artists to perform around the world, to explore the unknown and the familiar, and to become intimately involved with distant communities in order to build a platform where ideas, talent, and original works can be shared.

Staff & Structure:

Please click HERE to learn more about Dramatic Adventure Theatre's talented and dedicated administrative & artistic staff.

Dramatic Adventure Theatre (DAT) was dreamed up by Jesse Baxter, a service-oriented working actor who loved to travel. He was always looking for ways to combine his interests, but traditional tour companies never fully satisfied this need. Then one day, during a lunch with Ryan Keith, founder of FORGOTTEN VOICES INTERNATIONAL (a non-profit that helps children who are victims of aids in Zimbabwe) and a good friend from college, Jesse nonchalantly suggested that someone should give these “forgotten voices” a voice. Jesse suggested that the kids should write their own short plays and that professional actors should perform these plays especially for them. After this talk Jesse thought nothing of the idea…that is until Ryan Keith called him a few months later and told him to start getting ready to go to Zimbabwe because scripts would be in his hand shortly! A dramatic adventure had already begun.

Jesse decided to team up with Mary K. Redington, a fellow actor and recent college graduate looking for a new project to get involved with. Together they started to frame the structure of Dramatic Adventure Theatre. Soon Kathleen Amshoff, a fantastic Director, was on board (Jesse, Mary and Kathleen met while working on Run of the Mill Theatre's award winning production of Variations on Fear in Baltimore during the summer of 2006) and the team was well on their way to making this project a reality.
But, there were still bumps in the road. This was going to be a very intense trip, DAT needed the right people to commit to this adventure. This first Zimbabwe project went through three teams before the final team (Jesse, Mary, Kathleen, and actor Lisa Pettersson) was finally ready to depart.
More bumps in the road: * News from Zimbabwe in the weeks before the departure was not good, the inflation rate had sky rocketed to over 1700% (the average person could barely afford a loaf of bread per day, if they could find a loaf). Their doctors, teachers, and many of their civil workers were on strike and to make matters worse, they had experienced a drought. Family members feared for the teams safety. Zimbabweans were focusing on surviving, not writing plays...so DAT had to adapt to the crisis, the new plan was to build plays with the locals, plays that told the stories THEY wanted to tell, to empower their voices.

* Passport Problems! This was Mary's first time leaving the country so she applied for her passport 3 months before the date of take off. On June 18th, the day of the flight, Mary still didn't have her passport. Determined to go to Zimbabwe, she went from New York City to Washington D.C. where she waited at the passport office for 12 hours to get her passport. Meanwhile, DAT's wonderful travel agent, Brent Sprunger at MTS Travel, changed her 8pm JFK flight to a 10pm Washington D.C. flight to London. Mary was handed her passport right as her teammates boarded the plane in New York. She jumped into a taxi, rushed to her plane and met her teammates at the airport in London the next morning. (Talk about a dramatic adventure.)

The tension was building as the four weary travelers got off the plane in the Harare Airport. What would be there waiting for them? Little did the team know, Zimbabwe was ready and waiting for them. They were welcomed with open arms into the hearts and homes of the leaders of the Brethren in Christ Church and Amakhosi Theatre. And were carefully escorted throughout the country by their wonderful host, liason, and Zimbabwean Father, Oscar.
This simple idea has evolved into a company of individuals who want to make a difference with their art. In fact, nearly everybody who hears about DAT offers to be a part of it in some way. This has been incredibly encouraging for Dramatic Adventure Theatre. The team thanks everyone who was supportive and involved in this initial project. They couldn't have done it alone.
Following the success of Voices from Zimbabwe, Dramatic Adventure Theatre travelled to Ecuador and created Flight 360 based on their experiences there. This led to the creation of a much larger scale project, ACTion: Ecuador which traveled to Ecuador in 2009 & 2010. DAT is currently preparing for a return trip to Zimbabwe with III Acts!
Join DAT on their next dramatic adventure!

Dramatic Adventure Theatre benefits:

Their Community Abroad:

Dramatic Adventure Theatre (DAT) collaborates with and empowers local independent artists and young talent from disenfranchized communities. DAT engages both the young talent and the local artists in workshops so there can be an exchange of artistic knowledge. Basic playwriting and acting skills are shared with the young talent, while more complex materials are shared with the local artists. DAT becomes a part of the local communities in significant and tangible ways by teaming up with local non-profits, helping those organizations raise awareness for the things they do, and by participating in projects that assist those organizations in acheiving their goals.

Their Home Community:

DAT gives its home community an opportunity to get involved on a global scale, by offering them the opportunity to donate their time, energy, money, and/or goods. The community is consistently informed of each individual project's progress and invited to attend all events related to the project. In many cases a play will be developed while abroad. This play will be brought back to the US in order to share this incredibly dramatic adventure with our home community. These productions are filled with the exotic energy, unique experiences, and special voices encountered abroad. With humility and courage, we attempt to share the stories that need to be told while giving voice to those voices in desperate need of amplification. We encourage our home communities to journey with us.

Their Team Members:

DAT’s traveling ensembles will have the amazing opportunity to participate in uniquely designed projects, to experience cultures that are at the same time foreign and familiar. The lessons learned from these journeys will prove to be invaluable to them as performers and human beings. DAT organizes opportunities for the ensemble to workshop with local artists, to teach the skills they possess, and participate in community projects. This is an education and experience no theatre artist should be without.